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When a Drama Starts to Wander Elsewhere


    While watching a certain drama, I found myself gradually losing interest halfway through.

    It was a story about people living together, but the house itself felt almost too comfortable.
    Everyone was kind.
    Everyone paid attention to each other.
    They were considerate.
    No one really hurt anyone.
    I suppose that, in its own way, this was meant to be an ideal.

    And yet, as I watched, I kept thinking:
    No, that’s not quite it.

    It was supposed to be about three men sharing a home, but what was happening there didn’t really seem to pass through that premise.
    There should have been more awkwardness, more dullness, more strange hesitation, maybe even a bit of territorial instinct.
    But very little of that appeared.
    They all felt just a little too well-behaved.

    That may be a strange way to put it, but I think that is what bothered me.
    Living with other people usually involves more friction than that.
    More small annoyances, more odd silences, more habits and sounds that start to get under your skin.
    And perhaps that irritation itself is not meaningless at all.

    The appeal of living together probably does not lie in comfort alone.
    Perhaps it lies more in the presence of another person who is, in some ways, slightly in your way.
    In their gaze being there.
    They do not have to fully understand you.
    But if your presence is somehow received, if only vaguely, that may be enough for a person to begin looking at themselves.

    And while thinking about that, I started wondering what empathy really is.

    In dramas, and in real life too, the words “I understand” are very convenient.
    Too convenient, perhaps.
    And convenient things are often a little rough in the way they work.
    They can wrap up something too quickly, even when it has not yet become clear, even to the person living through it.

    Maybe empathy is not all that necessary.
    Or rather, maybe it is not something we need so much at the beginning.

    What matters more might be the feeling that one is not being denied.
    Not being cut off carelessly.
    Not being given an answer too quickly.
    Being allowed to remain there, as one is, for a while.
    Perhaps that is where people actually find a sense of ease.

    Come to think of it, I feel something similar when I am with people through Danshari.

    If I say, “That’s wonderful,” the moment settles neatly.
    If I say, “I understand,” I may appear kind.
    But does that really move anything?
    I am not so sure.

    So I try not to rely too much on those words.
    Instead, I return what I actually felt, what caught my attention, what I found interesting.
    Not as evaluation, but as response.
    Not as the right answer, but as one possible reflection.

    Of course, none of that is especially noble.
    I get clouded over all the time.
    My way of seeing is not always accurate.
    But perhaps a perfect mirror is not really necessary.
    Even if it is a little fogged up, even if it reflects things at a strange angle, maybe that is enough, if something can still be seen there.

    This all started with a drama, and somehow ended up here.
    But perhaps that is exactly how a person’s way of thinking reveals itself:
    through these small detours.

    It is not that easy empathy or obvious kindness are always bad.
    Only, when they arrive too quickly, they can leave no room for thought.
    A little wandering, a little instability, the time to see oneself for oneself—
    if change happens at all, perhaps it begins somewhere around there.

     
     
    やましたひでこ公認断捨離@トレーナー。発酵食エキスパート1級、発酵食大学東京校アシスタント。 要支援2の母と二人暮らし。日常生活のなかの小さな質問歓迎します。

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