Sparlösa Runestone
| Sparlösa Runestone | |
|---|---|
| Writing | between Elder and Younger Futhark |
| Created | 800 |
| Discovered | c. 1669 Sparlösa, VÀstergötland, Sweden |
| Rundata ID | Vg 119 |
| Runemaster | Alrik and/or Gisli |
| Text â Native | |
| Old Norse : See article. | |
| Translation | |
| See article | |
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The Sparlösa Runestone, listed as Vg 119 in the Rundata catalog, is located in VÀstergötland and is the second most famous Swedish runestone after the Rök runestone.
Description
[edit]The Sparlösa Runestone was discovered in 1669 in the southern wall of the church at Sparlösa, now part of Vara Municipality.[1] Before their historical value was understood, many runestones were used as construction material for roads, walls, and bridges. Following a fire at the church in 1684, the runestone was split in rebuilding the wall.[1] It was removed from the wall in 1937 and the two sections reunited.[1]
The stone is 1.77 metres tall and it is dated to about 800 AD based upon its transitional use of rune forms from both the elder and younger futhark,[2] but it has a probably younger line added to it saying Gisli made this memorial after Gunnar, his brother. The dating is based on the style of the images, such as a ship, which suggest the 8th century, like similar images from Gotland. However, a sail on the ship suggests a later dating than the 8th century.
The runestone is famous for its depictions and its tantalizing and mysterious references to a great battle, the names Eric and Alrik, the father who resided in Uppsala and the text descending from the gods. The stone provides an early attestation of the place name Uppsala, and the two personal names Erik ("complete ruler") and Alrik ("everyone's ruler") are both royal names, known to have been worn by the semi-legendary Swedish Yngling dynasty at Uppsala. Moreover, the mention of a great battle is suggestive of the equally semi-legendary Swedish-Geatish wars that are mentioned in Beowulf.
The words runaÊ rĂŠginkundu meaning "runes of divine origin" are also in the runic text on the Noleby Runestone and would appear in stanza 79 of the HĂĄvamĂĄl of the Poetic Edda several centuries later.[3]
The runestone has imagery on four of its sides that apparently is unrelated to the runic text and in one interpretation predates it.[4] One side has a building at the top that is over a crescent ship with a sail marked with a cross and with two birds, possibly peacocks, on its yardarms. At the bottom is a man on horseback hunting a stag and using a hunting leopard, which is not native to Sweden. The next side has an owl, with a head reminding of a lion's, and a goose fighting a snake. One side has a man and a cross band. One suggested interpretation is that the images on the stone are a memorial to Theodoric the Great, king of the Ostrogoths from 471 to 526 AD, with the building depicted on the stone a representation of his mausoleum.[4] The other images, such as the crescent ship and the lion fighting the snake, can be interpreted as iconography of the Arian Christian faith.[4]
Inscription
[edit]aâiuls
Ăivisl
kaf
gaf,
â
Â
airikis
Ăiriks
sunÊ
sunÊ,
kaf
gaf
alrik-
Alrik[Ê]
-
...
EyvĂsl(?), EirĂkr's son gave, AlrĂkr gave...
---t---la
...
kaf
gaf
rau-
<rau->
at
at
kialt(i)
gialdi
·
Â
âŠa
[Ă]a(?)
sa-
sa[t]
faĂŸiÊ
faðiÊ
ubsal
Upsal(?),
faĂŸiÊ
faðiÊ
suaĂŸ
svað
a-a-u--ba
...
âŠ-Ä mas
...
nÄ tu
nĂŠtÊ
auk
ok
takaÊ
dagaÊ.
â
Â
aslriku
AlrikÊ
lu--Ê
<lu--Ê>
ukĂŸ-t
ugð[i]t(?)
a(i)u(i)sl
Ăivisl
... gave ... as payment. Then(?) the father sat(?) (in) Uppsala(?), the father that ... ... nights and days. AlrĂkr <lu--r> feared(?) not EyvĂsl(?).
âŠs---n(u)(Ê)-a--
...
ĂŸat
ĂŸat
sikmar
Sigmarr
aiti
hĂŠiti
makuÊ
maguÊ
airikis
Ăiriks.
makin(i)aru
MĂŠginiaru(?)
ĂŸunÄ
<ĂŸuno>
·
Â
aft
aft
aiuis
Ăivisl.
uk
Ok
raĂŸ
rað
runÄ Ê
runaÊ
ĂŸaÊ
ĂŸaÊ
raki-ukutu
rĂŠgi[n]kundu
iu
<iu>
ĂŸar
ĂŸar,
suaĂŸ
svað
aliriku
AlrikÊ
lu(b)u
<lubu>
faĂŸi
faði.
... that EirĂkr's boy is called Sigmarr/celebrated-for-victories. Mighty battle(?) ... in memory of EyvĂsl(?). And interpret the runes of divine origin there... , that AlrĂkr <lubu> coloured.
ui(u)-am
<uiu-am>
âŠ--ukrĂŸsar(s)k(s)nuibin-
...
---kunÊ(u)k(l)ius--
...
âŠiu
...
... ... ...
:
Â
kisli
Gisli
:
Â
karĂŸi
gÊrði
:
Â
iftiÊ
ĂŠftiÊ
:
Â
kunar
Gunnar,
:
Â
bruĂŸur
broður,
[:]
Â
kubl
kumbl
:
Â
ĂŸisi
ĂŸessi.
GĂsli made this monument in memory of Gunnarr, (his) brother. [5]
Photographs
[edit]- The four sides of the Sparlösa Runestone
- North side with inscription parts C and D.
- East side with part B.
- South side.
- West side with parts A and E.
References
[edit]- 1 2 3 Run - och bildstenen i Sparlösa, Foteviken Museum (in Swedish)
- â Birkmann, Thomas (2002). "From Ancient Nordic to Old Nordic: Definition and Delimitation of the Period". In Bandle, Oskar; Elmevik, Lennart; et al. (eds.). The Nordic Languages: An International Handbook of the History of the North. Vol. 1. Berlin: Walter de Gruyter. p. 693. ISBN 3-11-014876-5.
- â Lindow, John (1985). "Mythology and Mythography". In Clover, Carol J.; John, Lindow (eds.). Old Norse-Icelandic Literature: a Critical Guide. University of Toronto Press. pp. 21â22. ISBN 0-8020-3823-9.
- 1 2 3 Nordgren, Ingemar (2009). "A New Interpretation of the Depictions on the Sparlösa Rune Stone in Sweden" (PDF). Pyrenae: Journal of Western Mediterranean Prehistory and Antiquity. 40 (2). University of Barcelona: 157â186. ISSN 0079-8215.
- â Project Samnordisk Runtextdatabas Svensk - Rundata entry for Vg 119.
External links
[edit]- Photographs of the four sides of the Sparlösa Runestone: 1, 2, 3, and 4 - Swedish National Heritage Board
- Swedish language presentation by Wadbring
This link replaces the link to the article on the depictions of the Sparlösa Rune stone in Pyrenae http://www.historieforum.se/437619567
