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Culture Featured: Top of Home Page Features Music Music Features

“Who’s Punk? What’s the Score?” On Authenticity, Subcultural Capital, and Scene Cops

By

R.A. Davis / 8 October 2026

Punk’s shorthand for deconstruction has always been: Who says? Yet, if we take that move seriously, we have to apply it to our own sacred binaries.

FEATURES

Duane Betts Blazes a Fresh Trail on the Isle of Hope Tour

Duane Betts Blazes a Fresh Trail on the Isle of Hope Tour

By

Greg M. Schwartz / 8 October 2026

The Most Canadian Band of 2026 Is from Outer Space: Angine de Poitrine

The Most Canadian Band of 2026 Is from Outer Space: Angine de Poitrine

By

Duncan McCallum / 7 October 2026

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

By

Michael Barrett / 7 October 2026

ElectroMatters: Best Electronic Music of September 2026

ElectroMatters: Best Electronic Music of September 2026

By

J. Simpson / 6 October 2026

‘Hedda’ and the Erotics of Refusal

‘Hedda’ and the Erotics of Refusal

By

Darius Ahmadi / 6 October 2026

‘Late Fame’ Makes Clear That Dreams of Ambition are Just Dreams

‘Late Fame’ Makes Clear That Dreams of Ambition are Just Dreams

By

Richard Stimac / 6 October 2026

‘Digger’ Clings to Life Like Grim Death

‘Digger’ Clings to Life Like Grim Death

By

David Pike / 5 October 2026

Conversations with Drew Lerman About ‘Conversations with Don DeLillo’

Conversations with Drew Lerman About ‘Conversations with Don DeLillo’

By

Jesse Kavadlo / 5 October 2026

Pop Past

The best of our archive [subscriber exclusive]

Who Put the Pop in Gen Z’s Pop Punk?

Featured: Top of Home Page

Who Put the Pop in Gen Z’s Pop Punk?

By

Iain Ellis / 17 October 2022

Fighting the Hand that Feeds You the Digital Music

Featured: Top of Home Page

Fighting the Hand that Feeds You the Digital Music

By

Axel Bruns / 19 November 1999

Music Reviews

Music Music Reviews PopMatters Picks Reviews

Alt-Pop’s SOFY Really Knows ‘How to Perform Magic’

By

Paul Carr / 8 October 2026

Music Music Reviews PopMatters Picks Reviews

Ibibio Sound Machine Nuance the Dancefloor Superbly

By

Adriane Pontecorvo / 8 October 2026

Music Music Reviews Reviews

Embla and the Karidotters Subvert Country Music Conventions

By

John Alan Urquhart / 8 October 2026

John Prine’s ‘Found Dogs’ Offers More Than Leftovers

Greg Freeman Is Ready to Inspire His Devotees

Niagara Moon Is in a Lush Mood on ‘Cool Warm Night’

Terrestrial Hospice Create Black Metal Defined by Exhilarating Speed

Ayanna Witter-Johnson Brilliantly Re-Contextualises Jazz

Rodrigo y Gabriela Explore Their Own Brand of Nuevo Flamenco

By

John Alan Urquhart / 6 October 2026

Carly Rae Jepsen Catches a Vibe on ‘Day and Night’

Brody Price Lays It on the Line with ‘Leaf Miner’s Daughter’

Margo Cilker Finds Grace in Sadness on ‘Little White Cross’

Role Model Commits to Caricature on ‘Chuck Timely’

Film

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

By

Michael Barrett / 7 October 2026

‘Hedda’ and the Erotics of Refusal

‘Hedda’ and the Erotics of Refusal

By

Darius Ahmadi / 6 October 2026

‘Late Fame’ Makes Clear That Dreams of Ambition are Just Dreams

‘Late Fame’ Makes Clear That Dreams of Ambition are Just Dreams

By

Richard Stimac / 6 October 2026

‘Digger’ Clings to Life Like Grim Death

‘Digger’ Clings to Life Like Grim Death

By

David Pike / 5 October 2026