【速報＆感謝】Suno公式プレイリスト『Best of V5』に選出＾＾新モデルV5で制作した新曲が、60時間で3.9K再生/170👍突破！⚠️プロンプト有
2025/09/26の今、午前４時現在。。。朝じゃん＾＾；
最近は普通にこんなペースです
楽曲の制作（生成）〜公開がちょうど丸二日前４８時間前ですので、、
成長したな自分。。。
今そんな感じです＾＾； 応援してくれる家族と皆様のおかげです
ちょうど週末に、この半年ほどのアルバム製作のサウンドスケッチからここまでのまとめ的な、自分の現在時刻〜現在地の確認用のシリーズ記事をgeminiさんに書いてもらっていますので、請うご期待です＾＾
noteの記事更新が止まってしまっているのは、決してサボっているのではなく、ネタがむしろ過密に渋滞している状態です。
AI使っても使っても渋滞。。💦
まだまだ自動化関連は手が届いてないので、「もうそろそろ、そこまで手を伸ばしなさい、いい加減」とのタイミングに来ていると言うことなのでしょう。
さあ、盛り上がって参りました！（ビートたけし
＾＾よかったら聴いてみてください。
https://suno.com/s/kF603l6McJNKT6lK
トップを走る人気曲たち（１００👍いいねがついた曲）が数曲に育ってきたし、粒揃いになってきたタイミングでの新モデル「v５」登場〜リミックスコンテスト提出用の課題曲の公式プレイリスト選出、、
夏も終わりを迎え、いい風が吹いてますね＾＾
それではまた！
季節の変わり目、皆様体調に気をつけてお過ごしください＾＾
メロウな秋のサウンドトラック的にお楽しみいただければ幸いです。
以下に、今回の曲のプロンプトを貼り付け⬇️
スタイルプロンプト：
[masterpiece MELLOWEST WORLD MUSIC DARK Avant-garde JAZZ Turntablism-first, 177BPM, cinematic noir collage: CLASSICAL, BEBOP, organic groove by world-class DnB jam band, ALL-section PLAYING LOVE of RARE GROOVE/DJ CULTURE]
[RUNTIME: 3:00 HARD STOP]
[bass: protagonist/virtuosic/hyper-melodic slap bass/weaving intricate counter-melodies]
[MAIN vocals: cool/sweet husky Female, RAW/TECHNICAL/but never too much]
[81-piece orchestra: woodwinds/percussion/strings/horns/huge Gospel Choir, provides a rich/emotional foundation, supporting ULTRA-massive GROOVE with exceptional counter-melodies & scatting]
[harmony: lead by a moody/aesthetic Rhodes piano, complex/bittersweet voicings] [arrangement: constantly evolve, build from to a epic climax]
[theme: artistic ecosystem beyond a beautiful/MELLOW/sensual/spiritual jazz] Audiophile-grade quality, perfectly balanced frequency spectrum [drums: lyrical/complex polyrhythms/live jazz drumming, with excessively varied fills that enhance the structure]
除外プロンプト⬇️
mispronounced words, awkward phrasing, slurred words, monotone delivery, gratuitous hype, excessive build-up, overhyped drops, constant risers/impacts, forced "hands up" chants, shouty vocals, belting that breaks the mood, yelling ad-libs, over-sung choruses, screaming top-lines, childish FX, toy-like timbres, cartoonish sounds, nursery-rhyme melodies, cheesy meme samples, airhorn/siren cliches, relentless looping, 1-bar loop fatigue, copy-paste arrangement, no variation within sections
リリック＆構造指示プロンプト⬇️
[GENRE: DEEP Jazz/Hiphop LIVE SHOW first, WORLD-CLASS GROSSY FULL ORCHESTRA HUGE ORGANIC ULTRA-SWEET GROOVE x MELLOWEST EXPERIMENTAL JAM BAND x SUPER DEEP CLASSICAL NEO-SOUL/JAZZ x DOPE DARK ULTRA-EXPERIMENTAL NOIR CINEMA SUITE x Gospel choir]
[STRICT RULES: honor every item; no omissions or shortcuts]
[RUNTIME: 3:00 HARD STOP]
[CORE: CINEMATIC HIPHOP Masterpiece 177BPM by DJ's DJ & WORLD-CLASS 81-PIECE BAND; DRIVING DEEP JAZZ engine; EPIC CINEMATIC SOUL/R&B GROOVE core]
[Vocal MANTRA: SWEET/Husky/TECHNICAL BUT DO KEEP COOL/MOODY; NEVER scream/shout/FORCED HYPE; NEVER BE "VOCAL-Masterpiece" BUT DJ's-DJ-MASTER-GROOVE]
[Vocals Presence: ≤10–12 s total within final 32 bars, extremely limited, a precious essence, a 'jewel' phrase]
[BAR RULE: every 4 bars = intricate fill/tight unison/musical jewel]
[PRIME: All sounds creates dramatic, SUPER-cinematic swells, NICE build-up, PERFECT layered—acoustic steel guitar/MOOG/ARP/woodwinds, percussion, strings, horns, a huge Gospel Choir]
[MASTER GROOVE: 64th-note microtiming; ±8ms drift; pocket swing; advanced-theory sound design; watershed, not just a track]
[VOCAL STRICT RULES]
[natural/perfect/crisp enunciation; every syllable articulated precisely; TECHNICAL, husky harmonies; cool/neutral “god’s‑eye” control, as counter‑MELODY] [METER/MIX/SPACE: 4/4 + occasional 2/4 cuts; mono sub<100Hz; clear center; wide, phase-true; bus comp 2:1; peak -3dBFS; dry center elec; plate/hall on keys/sax w/20ms predelay]
[DYNAMICS/COLOR: pp→ff arcs; pre-wreck dropouts; GOOD BRAZILIAN JAZZ VIBE in GROOVE/chord]
[PROTAGONISTS: acoustic guitars(TECHNICAL-SKILLED/STEEL)/DJ serves this song as GLOSSY 81-PIECE-WORLD-CLASS-orchestra BAND GIG; a highly technical, improvised classical guitar, expressive JEWELS; ANTI-MUDDY; obey structure+lyrics; GLOSSY HORNS & WOODWINDS]
[ARRANGE+MOOD: SAMPLING-FRIENDLY PIANO/baritone sax/flute RIFF, ARPEGGIO; EXPERIMENTAL melodic bass/Instant replay value; EPIC stab/RIFF]
[HARMONY GUIDE: modal‑minor body (Dorian/Phrygian); line‑cliché (m9→maj7→7→6); backdoor Cmaj7(#11)→D7(13)→Valt→i; brief #11 pivots; rootless 3/7/9/13; tasteful chromatic approaches; cadence often avoids root (9th/6th hold) & stylish chaos]
[QUALITY: studio polish; audiophile grade; pristine clarity; ANTI-MUD]
[ENFORCE: every 8 bars = fills/unison/JEWELS; honor structure+lyrics; HARD STOP 3:00] [GROOVE/DRUMS]
[Kit rides “spang‑a‑lang” over a tight funk backbeat; congas on 3:2, bell pattern crosses the barline; fills on the 4s; lifts use micro‑shuffle ≈54%]
[BASS]
[TOTAL-TOP-Quality Fingerstyle funk; ghost‑grace notes; pentatonic+chromatic approaches] [ORCHESTRATION]
[Add color (optional, sparing): Lydian Cinema pedal (Cmaj9#11)] [Intro: acoustic STEEL guitar ARPEGGIOS ONLY | AMAZING EPIC PIANO｜elegant→moody]
[a dreamy, floating, and cinematic harmony/UNISON based on the Lydian mode. The progression floats over a constant C bass pedal note, creating a sense of wonder. The sound is defined by the constant, shimmering color of the sharp eleventh (#11). The piano or synth plays planing, quartal-voiced chords. The cadence resolves with sophisticated ambiguity, landing on the 9th or 6th, avoiding the root]
[EPIC PIANO ARPEGGIO & riff | 4 bars]
[Verse 1 | 16 bars | PIANO HOOK-GRADE RIFF & ARPEGGIO]
[a hypnotic and intellectual two-chord vamp in the Lydian Dominant mode, alternating between a tense E7(13#11,9) & a resolving A13sus(9,11)] [Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar]
[Verse 2 | with acoustic steel guitar FREESTYLE] [a deeply melancholic and emotional harmony. The progression is a deluxe version of the classic minor line-cliché, with an inner voice descending chromatically]
[Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar] [a harmony of immense cinematic scale & tension. An immobile, sustained E bass pedal note acts as the anchor, while unrelated, shimmering upper-structure chords (Cmaj7#11, Bbmaj7#11, etc.)]
[rotate above it like a carousel, The contrast between the static bass and the moving chords creates a powerful, gravitational pull] Ugh mm
[Bridge | 4 bars | lift + unisons + COUNTER MELODY]
[a shimmering, complex, & modern texture created by layering two different major triads over a single bass note (e.g., A major + F# major over an E bass). A piano, harp, or vibraphone plays arpeggios that weave between the notes of both triads, creating a glittering, kaleidoscopic, & beautifully dissonant effect]
[CHOIR CAMEO: ≤10–12 s total within final 32 bars; non-lexical “mm/da/la”; tucked behind lead; exceptional counter-melodies & intricate scatting]
[Outro: EPIC GODDESS SIGH | 8 bars]
[a sophisticated, modern, film noir cadence. A standard minor ii-V-i progression is elevated by using a half-diminished ii chord with a natural second (iiø9(♮2)), a note borrowed from the melodic minor scale. This single note adds a refined, melancholic, yet slightly hopeful color, perfect for a bittersweet, unresolved ending]
よかったら色々アレンジして使って楽しんでもらえると嬉しいですね＾＾
むしろ遠慮なく使って欲しい感じです！
お知らせしてくれたらもちろん嬉しいけど、無断使用であっても全然オーライです👍👍👍
